Departing from classic garment-creating techniques, the aesthetics showing through the work of Argentinean designer Jessica Trosman may be deciphered by means of a paraphrase summing up the elements composing a floating style, halfway between baroque and obscure; objects are interposed and mixed up, resulting in a harmony of movements and dynamic structures, where points of view multiply creating a kind of depth that mistrusts the tactile pairing of sections, favoring the enhancement of perspective.